Opera House Acoustics Based on Subjective Preference Theory

Focusing on opera house acoustics, the book explores subjective preference theory to bridge the gap between subjective attributes and objective parameters. It serves as a resource for researchers in acoustics and vision, delving into the interplay of physics, psychology, and brain physiology. By utilizing a robust model of the auditory system, it aids readers in comprehending the complexities of sound perception in relation to architectural design.