Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich

Focusing on the forty parody or imitation Magnificats by Orlando di Lasso, this investigation reveals the rich tapestry of Renaissance music through the lens of liturgical texts. David Crook examines how Lasso's settings, based on works by renowned composers like Josquin and Rore, reflect their social, historical, and liturgical contexts. By analyzing these compositions in relation to theory and their innovative use of preexisting music, the study sheds new light on Lasso's artistry and the significance of his contributions to European music.