The Cognitive Semiotics of Film

The book delves into the tension between cognitive film theory, which emphasizes the psychological processes of viewers, and contemporary film theory, which often focuses on cultural and ideological contexts. Warren Buckland explores how these differing perspectives shape our understanding of film, analyzing their implications for film analysis and interpretation. Through this examination, the work invites readers to reconsider the ways in which films are experienced and understood, highlighting the complexities of cinematic engagement.