Philosophy in Stan Brakhage's Dog Star Man

Exploring the intersection of experimental cinema and hermeneutics, this book applies Ricoeurian methodology to analyze a non-narrative film by Stan Brakhage. It challenges traditional notions of the film world, offering a fresh perspective on how meaning is constructed in experimental works. Through this lens, the text delves into the complexities of interpretation and the unique attributes of Brakhage's cinematic artistry, enriching the discourse on film theory and practice.