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Focusing on the transnational dynamics of contemporary Chinese cinema, this study analyzes significant films from China, Taiwan, and Hong Kong around the turn of the millennium. It delves into interactions between these films and their connections to Hollywood, offering insightful critiques of popular titles such as Hero and Kung Fu Hustle. Gary Xu's exploration serves as a valuable resource for general readers, film enthusiasts, and critics alike, enhancing understanding of the cultural and cinematic landscape during this transformative period.