Kwaito

Viac o knihe

This collection features a range of articles exploring the cultural significance of Kwaito, a genre rooted in South African hip-hop. Contributors examine its identity and impact on communities, with Sharlene Swartz questioning whether Kwaito can be classified as South African hip-hop and why this distinction is important. Sonjah Stanley Niaah discusses the intersections of Dancehall and Kwaito, while Martina Viljoen addresses the genre's marginalization. Tanja Bosch highlights Kwaito's role in community radio, specifically Bush Radio in Cape Town, and Sizwe Satyo offers a linguistic analysis of the genre. Gavin Steingo contributes insights on the production of Kwaito in the post-apartheid context. The book also includes reviews of various works related to ethnomusicology and music's role in cultural identity. Notable reviews cover topics such as the challenges faced by ethnomusicology in a globalized world, music-making in English towns, and the cultural significance of music in Cuba and Syria. Additionally, recording reviews feature a selection of musical projects from diverse regions, showcasing the richness of contemporary music. The contributors bring a wealth of knowledge and perspectives, enriching the discourse on Kwaito and its broader implications in the music landscape.