B. Travens Erzählwerk in der Konstellation von Sprachen und Kulturen

Viac o knihe

The annotation includes contributions from various authors exploring the works and influence of B. Traven. F. Nordhausen discusses a text from the Mexican legacy connecting Ret Marut and Traven. J. Dietze analyzes word choice and frequency in Traven's writing, while E.-U. Pinkert examines the notion of "simple storytelling" and intertextual references in *Das Totenschiff*. J. S. Romero contrasts the ideologies of Traven and Joseph Conrad. E. Almstadt delves into Stirner's individual anarchism and its reception in *Das Totenschiff*, and W. Dahle critiques the destruction of anarchist arguments in its reception. D. Rall investigates discourse variations in travel reports, novels, and translations, focusing on *Der Karren* and *Das Land des Frühlings*. A. Lürbke highlights indigenous cultures in Traven's works, while S. Hofer discusses the treatment of foreign cultures by Traven and Hugo Loetscher. A. Opitz situates Traven within early 20th-century Latin American literature, addressing narratological aspects of jungle topics. G. Potapova examines provocative text strategies in Traven's anti-religious stories. M. Stein analyzes unreliable narration in *Der Banditen-Doktor*, and J. Chr. Meister explores narrative techniques in *Die Brücke im Dschungel*. G. Dammann discusses the portrayal of the habitual versus the unique in Traven's *Caoba* cycle, while A. Corkhill reviews versions and translations of *Der Schatz der Sierra Madre*.